a+u 616 (2022:01)

Dwelling Studies and Japan’s Women Architects

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SFOGLIA L’ANTEPRIMA!
A+U 616 22:01 Dwelling Studies and Japan’s Women Architects

Il primo numero del 2022 è interamente dedicato a un servizio speciale, “Dwelling Studies and Japan’s Women Architects”.
Iniziando con un’introduzione del co-fondatore dell’Atelier Bow-Wow Momoyo Kaijima, include approfonditi contributi scritti di Yuzuru Tomonaga, Izumi Kuroishi, Namiko Minai e Michelle L. Hauk.
Viene presentata una vasta gamma di opere di donne architetto, tra cui i progetti di Yuki Ishiguro, Akiko Miya, Rie Azuma, Masako Hayashi e il co-fondatore di SANAA Kazuyo Sejima.
Il servizio include anche un’intervista con Nobuko Ogawa e una conversazione tra Kazuyo Sejima e Satoko Shinohara, architetto e professoressa alla Japan Women’s University.

CONTENUTI:

Introduction: Dwelling Studies and Japan’s Women Architects
Momoyo Kaijima

Masako Hayashi
Kusazaki Club/ Sansen-ryo (Japan Women’s University Seminar
House in Karuizawa)/ Our House Phase

Nobuko Ogawa
Honjo Daycare Center

Interview: Everyday Life as the Starting Point of Design
Nobuko Ogawa, Interviwer: Momoyo Kaijima, Namiko Minai

Koko Takahashi
Kuda no Ie (Tubular House)

Essay:
A Field Where Flowers Come into Bloom
Yuzuru Tomonaga

Naoko Hirakura
House in Tomigaya

Kazuyo Sejima
Platform/ Saishunkan Seiyaku Women’s Dormitory/ Japan
Women’s University Library, Classroom and Laboratory Building, and
Student Cafeteria

Conversation: Dwelling Studies and Place for Learning
Kazuyo Sejima and Satoko Shinohara, Moderator: Momoyo
Kaijima

Satoko Shinohara
Kiyosato-kaku/ Share Yarai-cho

Rie Azuma
Studio House in Ohara/ Hoshinoya Karuizawa, Tombo-no-yu,
and Harunire Terrace

Akiko Miya
Wall Behavior, Roofs and Windows

Yuki Ishiguro
Tongari/ Apartment Building in Chofu

Kazuko Akamatsu
House SH/ Uto Elementary School

Momoyo Kaijima
House and Atelier Bow-Wow/ Kitamoto Station West Square
/ Momonoura Village

Essay:
Wajiro Kon and Dwelling Studies
Izumi Kuroishi

Essay:
Dwelling Studies and the Evolving Curriculum
Namiko Minai

Essay: Ready-Made
Michelle L. Hauk

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